Mocked on initial release and long unavailable, Max Ophüls’ wide-screen spectacle “Lola Montès” returns in a lustrous restoration. So what’s the big deal?
Why is the exasperating and delightful “Pleasure of Being Robbed” — an American micro-indie with the freshness of an early Godard film — barely getting released?
The HBO host and comedian talks about “Religulous,” his onslaught against the religious idiocy that threatens to deliver America to Sarah Palin and her fellow “space god” worshipers
Sundance critics went wild for the lo-fi, wide-screen, Mississippi bleakness of “Ballast.” But has American neorealism turned itself into audience kryptonite?
Veteran “Curb Your Enthusiasm” director Bob Weide talks about bringing his prickly brand of humor to the big screen with “How to Lose Friends and Alienate People”
From Clint’s “Changeling” to Soderbergh’s “Che” and beyond, the New York Film Festival sets the table for the fall’s Oscar hopefuls, art-house maybes and wild-eyed cinematic rebels
The cinema icon talks about reshaping American mythology with his WWII epic, “Miracle at St. Anna,” and what Hollywood would look like if he were in charge
I’m back, and so is New York’s oh-so-cultured fall fest. Plus: Coppola’s controversial “restoration,” Hammer Films reborn, and 12 movies you haven’t seen (but should have)
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